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The Synth-Pop Duo's Creative Genius Dave Ball Passes Away, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) formed Soft Cell with Marc Almond at Leeds during 1977

The talented musician, a key member of the groundbreaking 1980s synth-pop duo Soft Cell, has passed away at the age of 66.

Together with vocalist Marc Almond, the duo scored a global success with their version of Gloria Jones' Tainted Love in 1984, and their debut album Non-Stop Erotic Cabaret is considered a seminal work of electronic music.

He later formed the pioneering electronic act The Grid, who secured chart success with 1994's Swamp Thing.

Ball died calmly in his sleep at his home in London on October 22, only a short time after playing a featured performance with Soft Cell at the Rewind Festival in the Thames-side town.

Health Struggles

During that performance, Ball performed in a mobility chair, as he had for the last two years, following a period of health issues.

"I managed to injure myself significantly," he commented in a recent interview. "I broke lower vertebrae in my spine and cracked about five ribs and broke my arm."

Following contracting pneumonia and developing blood poisoning, he was put in an induced coma and stayed in the hospital for half a year.

Nevertheless, he had been in "a great place emotionally" during the summer, as he was developing a fresh record with Almond, titled the upcoming Danceteria, which is scheduled for release in the coming year.

"He was focused and very pleased with the latest project that we literally finished only a few days ago," stated the singer in a heartfelt message.
"It's truly heartbreaking as next year was completely planned to be such an positive time for him, and I take some solace from the knowledge that he heard the finished record and felt that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the forefront of the synth-pop movement in the early 1980s

Tributes

Almond described his bandmate as "a wonderfully brilliant musical genius", stating: "He was the heart and soul of Soft Cell and I'm very proud of our legacy.

"Many thanks Dave for being an significant part of my existence and for the music you gave me. I couldn't be where I am without your influence."

Richard Norris from The Grid, also paid tribute, remembering Ball's "endless laughter" and "steadfast support".

"Being in a partnership with someone is distinct from being in a group, the connection is incredibly close," he continued.
"That was the case with us. We went through so many remarkable, extraordinary, life-affirming moments as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in 2018

Formative Years

Brought into the world into a one-parent family in Chester in the late 50s, Ball was put up for adoption when he was a year and a half of age.

He was raised in Blackpool with his new family Donald and Brenda Ball, who altered his given name from his birth name to David, together with his sibling his sister, who was similarly welcomed.

He encountered Almond at an art college in 1977, where they were both studying fine arts. Fuelled by a shared love of Northern Soul, they established Soft Cell the very year, and quickly produced an extended play.

Musical Partnership

The pair were an unusual combination: Ball was the quiet musician, hunched over his synthesizer, while Almond was a charismatic performer, all sparkle and makeup; but they achieved a rare creative synergy.

Ball had cultivated a interest with electronic instruments after viewing Kraftwerk appear on BBC program a popular series, and began to combine dark electronica to the soaring melodies Almond was writing.

Their signature song became the United Kingdom's second biggest-selling single of 1981, selling 21 million copies worldwide. Alongside hits by Gary Numan, contemporary bands and Ultravox, it contributed to paved the way for the electronic music style of the 80s.

The song was also featured on their full-length debut, their initial LP, which produced two further high-charting hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the album up with the stand-alone single, Torch, which peaked at the second position in 1982.

Soft Cell in the studio
The duo were developing fresh songs until just before Ball's passing

Career Highlights

Success had its upsides. "I loved being able to afford my first home, having financial security and exploring, which makes me sound like a beauty queen," Ball recently told with a publication.

But it also presented problems. "Sudden riches meant we could purchase newfound drugs to relieve the boredom" of press appearances and TV performances, Ball explained.

"I realize that's a common saying, but it's a cliché for a good reason, because it works for so many bands."

Amidst the hedonistic lifestyle, the duo were also growing distant, but they managed to create a follow-up memorable record - the unconventional, edgy and fittingly named The Art Of Falling Apart.

They put out one more album, their 1984 release This Last Night In Sodom, before ending the group to concentrate on individual endeavors.

Almond proceeded to have a successful solo career, including the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined dance music with ambient pop over a long-lasting partnership.

Reunions and Final Projects

Soft Cell reunited in 2001, producing the Top 40 album Cruelty Without Beauty.

After another hiatus, they returned in 2018, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a final performance at the O2 Arena on September 30, that year.

Yet, they remained together, creating their latest project, Happiness Not Included, during the 2020 restrictions.

Ball recently described the band's upcoming release as a homage to the NYC nightlife they frequented while making their first two albums.

He noted that his period in medical care had shaped the group's music.

"I experienced unusual memories when I was in and out of hospital because I was on pain medication," he told a publication.
"The new songs are a digital reflection of the noises in my mind from those days.
"Simultaneously, it's about the times me and Marc had in the 1980s."

The final mixes were completed only days before Ball died. It is due for release in the spring of 2026.

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Lawrence Moon

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